Mobile Suit Gundam Unicorn the Truth of E.f.f Read
AN OHTAGAKI INTERVIEW SUMMARY
In today's deep dive data series, I elected to dabble into the taboo area of Gundam Thunderbolt and see what Ohtagaki had to say back in the Spring 2022 issue of Great Mechanics. Depending on which side of the contend you sit down on, he spells out some stuff that fans may find interesting or fifty-fifty more than divisive. Click here to read all about it!
グレートメカニックＧムック
Smashing MECHANICS K
PUBLICATION Information
Publisher: Futabasha
Released: 2017.03.18
Price: 1100 yen
Size: —
Only earlier the climax of Iron-Blooded Orphans and premiere of Flavour two of Gundam Thunderbolt, we're treated to an interview with the staff and mangaka for an in-depth look behind the scenes of what is going on! Also discussed in the book is L-Gaim and Yamato 2202.
[Groundwork Lore] – Original Gunboy Proposal
Today's deep-dive into the world of random Gundam lore comes courtesy of the original proposal for Gunboy, which would later go on to become our dear Mobile Suit Gundam television series. It's interesting to see how our famed Red Comet was originally a woman in this accommodation! Click here to read all nigh it.
宇宙戦闘団ガンボーイ（仮題）企画書
SPACE COMBAT Team GUNBOY (TENTATIVE)
PUBLICATION INFORMATION
Publisher: Nagoya Tv & Nippon Sunrise
Released: 1978.11
Toll: —
Size: —
Originally printed in the pages of Gundam Archive, this booklet was included with the limited edition release of the Mobile Arrange Gundam Blu-ray release. The outline shows the original proposal of what would go on to become Mobile Suit Gundam after several modifications.
ANIMEDIA'Due south GUNDAM ZZ PART.2
Today'south quick mini segment deals with a question and answer page in the Gundam ZZ Part.2 volume published by Animedia. This doesn't really add annihilation, but it'southward neat nonetheless to encounter what people wrote in and asked about:
Q: Why does Judau exit with Roux instead of Elle in the last episode?
A: In the beginning, Judau was supposed to leave alone, but information technology was General Director Tomino's idea to have him get out with Roux, probable because he is mature plenty to live without his sister, but needed Roux more than than Elle.
Q: Why are the people of Moon Moon so weird?
A: The colony of Moon Moon is a prototype colony that was built for the people who synthetic Side ane. For that reason, it's much smaller than a normal colony. People tend to go weird when they live in a small space for a long time.
Q: Why did Ple dice?
A: There is no answer to this question. Everyone has their own destiny.
Q: Why is the colony that fell on Dublin still standing? Wouldn't it ordinarily collapse nether its own weight?
A: In reality, this would exist the instance. However, anime is different from reality, equally we know. In this scene, the General Director wanted to depict a standing colony, so he probably decided not to have it collapse.
Q: Why did Iino wearing apparel upwardly every bit a woman too when Judau did on Tigerbaum?
A: Because there was a risk that if the other characters dressed upwards as a women, they'd immediately be recognized as men. Iino, on the other hand, has been dressing up as a adult female since his Shangri-La days, and so he's pretty practiced at it. (That'southward a lie!" Iino said).
機動戦士ガンダムZZ PART.2 完結編雑誌
MOBILE Adapt GUNDAM ZZ PART.two
PUBLICATION Data
Publisher: Animedia
Released: 1987.03.01
Cost: 580
Size: —
The book contains character and mechanical information too every bit a story digest. There's as well a special story virtually Sayla and Leina called "Sensitive Optics of Sisters," the original typhoon proposal of Gundam ZZ along with staff interviews and some random backside-the-scenes information that hasn't been parroted around much, including the source of Elpeo Ple'due south name!
[GUNDAM ACE] Yazuhiko Yoshikazu Interview
Yazuhiko Yoshikazu Interview
Summarized from March 2022 result of Gundam Ace
As many people know, Yaz drew the covers for Gundam Ace during the serialization of the Origin. There were more than 100 issues with his artwork. He drew then in a single day. He says he tin't exercise that anymore because he doesn't have the strength and needs two days to cease it. Laughing, he says it's more than similar a week now.
He says that any more time than a solar day on the artwork would've been disastrous since in that location were other deputed works to do (posters, etc.). When asked if there were any particularly difficult pieces, he said that naturally there were, but the Blackness Tri-Stars kinda pissed him off a bit. Plus, having the colors vary to avert like shapes was an result.
Given the fact that his artwork isn't digital, he says he envies those artists since they tin can outset over. He draws once, and he's washed. He says he didn't have to redraw anything for the Origin, but there were some other things where he couldn't embrace up some errors.
He gives an case that if the base coat is uneven, the drawing won't look skilful, but sometimes he'd get interrupted and so the paint would dry in the heart of his work, then information technology'd be uneven. He said he'd fifty-fifty try to cheat sometimes but wasn't satisfied when it came out different than what he predictable. He cites the April 2006 issue of Ace as existence a particularly troublesome one (Notation: Gihren on the cover giving his speech).
The encompass of the Origin's mechanical works volume took him iii days to describe. He wasn't happy with information technology. The Gundam Ace editorial department wanted Char's Zaku on either side and the Blackness Tri-Stars.
Yaz doesn't apply black when it comes to his works. It'south his unique style of coloring backgrounds, so no two blacks are ever the same. The interviewer says Yaz doesn't own whatsoever blackness paint. Considering he doesn't use it, information technology takes a while to create a unmarried background. He remembers back to his childhood days watercolor when he was told to get rid of black and white.
While black is convenient, Yaz says that information technology doesn't give you that sort of "mysterious black" or the power to blur things (he cites the August 2011 issue of Ace with Amuro on the cover in space). He took a lot to heart from the primary of his schoolhouse (plus, he apparently grew upwardly in a poor village).
CHAR & SAYLA'Due south PAST
Yaz notes that information technology wasn't in his original plan for the serial, and he felt like he couldn't move on with things until he depicted their background. So he approached Sunrise, and they gave him some ideas, and he too asked them for feedback. He goes on to point out that he wants people to know that Origin wasn't a piece of work that he started because he wanted to draw it. Sunrise asked him to, and so information technology started as their project. He did a lot of "prescreening" and never made decisions on his own.
CUCURUZ DOAN'S ISLAND
Yaz wasn't involved in the episode that aired at the time. He says that some of the episodes were outsourced, including animation management, but the only one he really remembers is episode fifteen. Information technology seems the entire episode (scenario included) was outsourced.
It wasn't included in the Origin manga because the goal was to make the story equally slim as possible, so everything that was extraneous was removed. Nevertheless, Yaz didn't remember it was a lousy story and felt the setting was quite fascinating. He says it reminds him of Coppola's Apocalypse Now. While the calibration of the story is unlike, they're structurally similar.
Commencement GUNDAM'S EPISODES ARE 22 MINUTES. TO MAKE A MOVIE, A LOT WOULD HAVE TO Modify?
Joking aside, Yaz says in that location is then much information in the episode itself that it could hands surpass a two-hour picture. After seeing the first typhoon of the scenario, he says that he wondered how he'd compress it all together.
MECHANICAL DESIGNS
Katoki proposed a variation of the Zaku that Doan uses, and Yaz says it's very good. He says he can't go into details just yet, but it's quite unique. He says that he hears there are a lot of fans of Doan's Zaku. Laughing, he says that the animation director told him that he has to have information technology throw rocks. He says that there is such an affluence of honey from the fans they had to get creative with the action.
CASTING
"It will also be interesting to see how the bandage fills out for Doan, every bit this information has yet to be appear."
That announcement is probably however a little ways off. In terms of the cast, while the White Base crew will exist featured, everyone was revamped for The Origin except for Amuro and Kai. This was done in apprehension of the chief story of the One Yr State of war arc, but that adaptation is no longer happening. For this reason, there were hardly whatsoever lines, despite this assuming decision that was made. I always regretted this, simply I'm glad that Doan came most, and then it didn't end up going to waste material. I think there is a refreshing mix of the new and the old, with Furuya playing the leading function.
EARLY SUMMER RELEASE
Yaz is hoping to accept it out before summer vacations showtime.
[RELEASE] – GUNDAM NARRATIVE VOL.3
However pondering whether I should do releases once a week or whenever I happen to finish them. Don't wanna pressure myself still again. Anyways, here is another backlogged release. Apparently, I finished the volume dorsum in 2022 but never got around to photoshopping (every bit is the case with a lot of my translation files information technology seems). Gauge that's a good affair?
機動戦士ガンダムNT 3
MOBILE Adjust GUNDAM NARRATIVE VOL.3
PUBLICATION INFORMATION
Publisher: Kadokawa
Published: 2020.03.26
Released: 2022.01.04
Download: Available Here
Having vanished in the center of its development, the Phenex Gundam suddenly appears in the shoal zone of Side iv. Narrative Gundam pilot Jona and special envoy to Luio & Co. Michele are on board the cruiser Damascus as office of their secret capture operation "Phoenix Hunt." The Republic of Zeon, meanwhile, secretly dispatches Zoltan, a Cyber-Newtype, and an elite unit to capture the Unicorn Gundam Unit 3, Phenex.
GUNDAM 0083 REBELLION VOL.14
I go along telling myself every yr that "Information technology'll be my year to take hold of up!". Hither'south to hoping I can finally make a paring in massive backlogs. Mayhap I should just start a Patreon in hopes I can quit my task and practise it full time… I mean, people pull in like 4K a month doing information technology for random things… why can't I?
機動戦士ガンダム0083 REBELLION 14
MOBILE Adapt GUNDAM 0083 REBELLION VOL.fourteen
PUBLICATION INFORMATION
Publisher: Kadokawa
Published: 2020.02.26
Released: 2022.01.01
Download: Bachelor Hither
The climax of Operation Stardust! Kou, Gatou, and Kelly are all finally here?! Was it a cosmic ophidian that attacked the colony? Will Kou and Gato settle things, and volition Kelly finally…?!
[Sentinel: DEBUNKED] – Correcting the Bullshit
There have been many wild claims about Gundam Scout and rights issues and whatever else over the years, but a majority of it is, quite frankly, fabricated bullshit. Wikipedia (and so the Gundam Wiki) have parroted misinformation for decades about the projection. Plus, there was that lovely Reddit thread that was translated from a Chinese blog that made matters worse since the unabridged matter was made. So, I broke down the cosmos procedure and what was going on behind-the-scenes and likewise translated an article ironing out the rights event that everyone seems to be an armchair practiced on.
http://www.zeonic-republic.net/?page_id=9089
Enjoy!
[OLD-School] – THE STORY OF DR. MINOVSKY
Originally published in Bandai's "Comic Weapon Cyber Comix" magazine in early 1988, the one shot manga was later released in a compilation volume of manga entitled "Gundam Generation." The comic is, unfortunately, a product of its time. It follows an older model of the Universal Century timeline, ane which has the U.C. agenda starting in 1969 post-obit the Apollo 11 mission to the moon. However, the story provides an interesting await into the heed of the human being who would change the grade of history forever through his discovery of "Minovsky Particles."
サイバーコミックス0１
CYBER COMICS 01
PUBLICATION Data
Publisher: Bandai
Published: 1988.04.10
Price: 880 yen
Download: click here
The Cyber Comix series is a collection of anthology comics specializing in robot blitheness that was published by Bandai. Publication first began in 1988 and wrapped upwardly after 47 volumes in 1992. It would exist succeeded by MS SAGA, a serial dedicated solely to Gundam. These were some of the kickoff-ever Gundam comics, and so a wide variety of them are quite comedic and off the wall and don't exactly jive with "continuity purists."
[Information DUMP XMAS EDITION] PRE-OYW EDITION
I've been poking at this for far besides long, so without further delay, here's the first portion of ("updated") historical info from the pages of an onetime 2000 Mekton RPG book!
[Background Info] SIDE 6's NEUTRALITY IN FOCUS
Vintage Gundam lore has always been something I've been deeply interested in, so today's info dump is no exception. I don't know why I've been focusing on Side 6 equally of late, but I decided to innovate some of the vintage lore explaining their neutrality throughout the One Year War. The lesson: currying favor to both sides pays off! Click here to read all about it! Data comes courtesy of book 11 from the MS Encyclopedia boxed set that was released back in 2005.
MS大図鑑 [PART.11_一年戦争外伝]
MS ENCYCLOPEDIA NO.11
PUBLICATION Data
Publisher: Media Works
Published: 2005.20.20
Price: 480 yen
Size: —
Like other entries in the Universal Century boxed ready, this book focuses on background lore relating to the 08th MS Team and Gundam 0080. Included is MS War History, MS Catalog, MS Development History, and background information through the Gundam Official Study (which includes battlelines on the Earth, conventional weapons aside from mobile suits, a mobile suit combat manual, and realities of Side vi).
[RELEASE] NIGHTMARE OF SOLOMON (Natsumoto Ver.)
Rounding out the Nightmare of Solomon versions is Natsumoto'southward short take on things. Originally serialized in the start consequence of Gundam Game Ace, this version tells a similar rendition of Tsukasa Kotobuki's version (released previously). While Kotobuki'due south version follows what is echoed in the Master Form version of Gato's Gelgoog, this detail version of events follows the caption given in Gundam Officials that Gato'southward conform was a Rick Dom at the Battle of Solomon. This comic was also more than or less depicted in the "Encounters in Space" PS2 game that was released just a brusk time after. Click the link below to download.
ガンダムゲームエース [ガンダムエース2003年10月号増刊]
GUNDAM GAME ACE [GUNDAM ACE Oct Actress Result]
PUBLICATION INFORMATION
Publisher: Kadokawa Shoten
Published: 2003.10.01
Price: 480 yen
Download: click here
The long-awaited Gundam mag for the gaming generation brings together pop Gundam Ace serializations coupled together with gaming news and information.
[RELEASE] NIGHTMARE OF SOLOMON
Today'due south random i-shot manga release comes courtesy of the sometime Get! Go! Our Victory Gundam!! book by Tsukasa Kotobuki. In it is the original story of how Anavel Gato earned his nickname the "Nightmare of Solomon." This installment was later on retconned by Masato Natsumoto's version that depicts him wielding a Dom and a beam bazooka at the Battle of Solomon rather than a Gelgoog. The latest Gundam game called U.C. ENGAGE volition be depicting this through cutscenes, of which Kotobuki is in charge of the animation. So, here's the original version of that story for everyone to enjoy. Click the link below to download.
いけ！いけ！ぼくらのVガンダム
GO! GO! Our Victory Gundam
PUBLICATION INFORMATION
Publisher: Dengeki Comics
Published: 1994.ten.fifteen
Toll: 560 yen
Download: click hither
Original oddball Gundam shorts (mostly gag) by Tsukasa Kotobuki (who would become on to exercise character design for Gundam the Origin). It's evident how much his artwork improved over the years based on this initial release (even compared to the Kai manga).
GUNDAM F91 Production STUFF
Tucked away in an old Gundam F91 book is an interesting commodity about the planning and product of the film. Today I wanted to present a detailed summary of what was said throughout those pages. Gundam F91, the latest in the series, has taken more than two years to programme and produce, requiring the same high quality as Char's Counterattack. Beneath, I've summarized a discussion with Tomino, who was in charge of the production equally the original author and full general director. Throughout the article, he discusses the progress and reveals the evolution and planning procedure leading up to its completion. I hope that by revealing some of these details, fans will understand his intended appeal of the work and provide some more insight into why it came off equally slightly disjointed. Click the cover below to read the article.
機動戦士ガンダムF91パーフェクトファイル
MOBILE Accommodate GUNDAM F91 PERFECT FILE
PUBLICATION INFORMATION
Publisher: Kodansha
Published: 1991.05.12
Toll: 1500 yen
Size: —
Original storyboards, rough character and mecha designs, interviews, plot overview and finalized character and mecha designs are all available in this ofttimes-forgotten publication.
CROSSBONE GUNDAM 10-11 [Ch.03]
My third commissioned release at the request of a Crossbone Super Fan! His goal/want is to exist able to crowdfund plenty to take me interpret both Ghost and Dust for the community. While I explained that ane of them is already being finished by some people, he pressed that he wasn't satisfied with it and was accustomed to us, and so I'm but throwing that information out there for people. Until such a conclusion is made, I'm sticking to X-11 since that'due south what is being deputed at this time.
機動戦士ガンダムクロスボーン・ガンダムX-11 第3話
MOBILE SUIT CROSSBONE GUNDAM 10-xi CH.03
PUBLICATION Information
Publisher: Kadokawa
Published: 2021.08.26
Released: 2021.09.02
Download: Available Here
U.C.0170, behind the scenes of the Dust Project, are Curtis' struggles! The trail of the Servants of Olympus is close at hand! Nevertheless, what is the truth that lies in the Jovian Sphere ten years agone?
[SUMMARY] Gundam Pulitzer: Amuro Ray Beyond the Aurora
The third of Gundam Ace's 20th-anniversary projects kicked off this month, and then I decided to dive into the get-go chapter to meet the direction they're intending on taking.
Mobile Suit Gundam Pulitzer: Amuro Ray Beyond the Aurora
Report1: Fraw Bow
月刊ガンダムエース 2021年10月号
MONTHLY GUNDAM ACE Oct 2022 Consequence
PUBLICATION Information
Publisher: Kadokawa
Released: 2021.08.26
Cost: 750
Size: —
The serialization of Mobile Suit Gundam Pulitzer: Amuro Ray Beyond the Aurora finally kicks off! Kikka will be following in the footsteps of Amuro Ray! As well in this month'southward issue is an interview with Sunrise Producer Ogata!
GUNDAM GOAL: Interview with Sunrise Producer Naohiro Ogata
There'south a lot to unpack in this interview, so hither's a summary for everyone:
One thousand-RECO PORTION
-
- Since the news hit a lot of people about Tomino'due south health, Ogata says in his interview that Chiliad-Reco will be released in its entirety within the next year. Storyboarding is done for all of them and the fourth part is being worked on.
- He says that Tomino rewrote a lot of the scenes from Venus Globe dorsum to Earth portion. The percentage of new cloth has been increasing since the second film, but the fourth film takes the block with the battle scenes being nearly entirely brand new.
- Says that Part 3 was also very unlike from the Telly series but thinks that Part four will be an fifty-fifty bigger shift from that.
HATHAWAY'S FLASH PORTION
"Yous're already working on the 2nd installment of HF?"
The scenario has already been written and now Murase is preparing to start storyboarding.
"And so the second film will be based on the 2d book of the novel?"
The flow is the same as in the novel, starting from Oenbelli and catastrophe in Ayers Stone. Tomino said that information technology wouldn't work well as a movie if left as is, and they're enlightened of that. They're going to create a story with a "plus a" (what?) and this 2nd pic is likely going to accept the most new elements out of the entire trilogy. The response to the scenario has been nifty, so if the first film is Hathaway'south story, then the 2nd will exist focused on Gigi.
"Managing director Murase said in the August issue that Lane'south role volition increment."
That is one of the plus a. He'south going to plan an agile role in the story, or rather, he'll accept his own part in the story.
"Do you lot take any plans for the sequel?"
Says he'd similar to release the fifth picture show of G-Reco inside the next twelvemonth simply isn't so sure virtually Hathaway's Flash. Information technology takes a lot of time to make, and then he asks that anybody please wait patiently.
HOLLYWOOD GUNDAM PORTION
"Sunrise Studio 1 is mainly producing the UC serial, but in addition to these two works, what are your plans for the next "Gundam" as a whole?"
Ogata ponders whether information technology'll exist possible to accept a "Gundam" that will concenter newer and younger audiences. For this, a simultaneous flow of different works categorized by target and development volition continue in the time to come. One of the key points at the moment is WHEN the Hollywood film volition exist released. Once this becomes articulate, he believes they'll be able to gear up the overall flow and global evolution, including the SEED motion-picture show.
"The Hollywood version is existence directed by Jordan Vogt-Roberts. What's your impression of him?"
I recollect he's incredibly geeky (laughs). He'southward a very passionate managing director. Says he might know more about Gundam than Ogata does and was talking most how amazing the Man Debris episode of IBO was at their meeting equally well as which scenes in Gundam he thought was really adept. He goes on to say that JVR is a designer himself, and he comes up with all these amazing things, including paradigm boards. His only downfall is that he loves Gundam too much, so they've asked him to retain some originality with his piece of work.
"What're your thoughts on the sequel to Gundam NT?"
Says that the flow of events in UC aren't over just yet, simply it's beingness planned. In terms of the Universal Century, they have to move frontward with Hathaway'due south Flash first, and then the sequel to Gundam UC will come up after that. He once again reiterates that Fukui is off in his own universe once again. Says that he once again believes they'll be returning to the U.C.0100 time period regarding the Republic of Zeon.
"Currently in that location are three platforms available for releases: Television set, theater, and the web. How do you lot programme to apply these different platforms for the future of Gundam?"
Says that they'd like to consider the best choice and combination for the target audition, time of year, and other factors. The coronavirus has influenced a lot of things only says that nowadays Hollywood movies are released in theaters and via streaming simultaneously, so he believes they'll make their choices while taking into account the varying circumstances.
Says that TV still plays a major role, and that that will substantially remain the aforementioned that they'll release series on tv every bit it'due south a platform that can exist seen by a large, wide, and untargeted amount of people. Says that while movies are hard, he'd like to release one a year simply for the sake of excitement. Says the spider web is constructive for promotion and communication given current social circumstances, so how to combine and differentiate between Television and movies volition taking advantage of the web will be an issue they'll take to tackle. Says the Gundam Build Real was a cracking challenge for them since information technology was distributed via the web.
GUNDAM 0083 REBELLION VOL.xiii
My desperate struggle begins every bit I try and photoshop the remainder of the serial before the month is over! Bring together me every bit I tick off the last few volumes of this awesome series! Like, share, and donate! Stay tuned for more!
機動戦士ガンダム0083 REBELLION xiii
MOBILE SUIT GUNDAM 0083 REBELLION VOL.13
PUBLICATION INFORMATION
Publisher: Kadokawa
Published: 2019.08.24
Released: 2021.08.24
Download: Available Here
Functioning Stardust is finally about to brainstorm. What will the terminal outcome of the Rebellion version? On a trigger-happy battlefield, Gato's Neue Ziel stands before Kou's Dendrobium!!
CROSSBONE GUNDAM X-11 [Ch.02]
My 2nd deputed release at the request of a Crossbone Super Fan! His goal/desire is to exist able to crowdfund enough to accept me interpret both Ghost and Dust for the community. While I explained that ane of them is already being finished by some people, he pressed that he wasn't satisfied with it and was accustomed to us, so I'm only throwing that information out there for people. Until such a conclusion is made, I'm sticking to Ten-11 since that'due south what is being deputed at this fourth dimension.
機動戦士ガンダムクロスボーン・ガンダムX-11 第2話
MOBILE Suit CROSSBONE GUNDAM Ten-11 CH.02
PUBLICATION INFORMATION
Publisher: Kadokawa
Published: 2021.07.26
Released: 2021.08.02
Download: Available Here
U.C.0170, behind the scenes of the DUST Project, are Curtis' struggles! The assassin Pale Rouge vs. Curtis Rothko! Grab the tail of the Servants of Olympus, the Jovian hardliners, without killing, and without letting them escape!
[Detailed Look] SEED MOVIE INTERVIEW
I glossed over the interview with Fukuda in the latest issue of Gundam Ace and decided to write up a summary. He brings upward a few interesting points I feel a lot of the Japanese sites omitted. So, here we go:
- Fukuda says that while information technology'due south true that the projection stopped for a while, all was non lost equally Sunrise producers were working on it behind the scenes. It was supposed to be announced in 2012 when the HD remaster was coming out, but the scenario wasn't finished at that point. So, they elected to wait before making whatsoever announcements.
- The scenario is "virtually" finished. What he means past "most" is that the writer and director have finished writing the scenario, just there are still some details that have to exist hashed out from various parties involved, making certain it complies with the times, and checking of expressions. He'south still waiting for the "terminal draft" to be signed, but he's already started working on the storyboards since he has nix to lose in doing so.
- Says that plenty has already been washed with DESTINY, so it'll be a continuation of that. He'll leave the expansion of that point in time to others in spin-offs.
- He says he rewrote the scenario that his wife had created. There were more drafts than he knew about, then he had to sift through them to observe out merely what she had in mind. He had to figure out what he could and couldn't utilise. He says he talked at length with his wife before she died so he understood quite well why she was unable to finish information technology. He kept writing, stopping, analyzing, re-writing. The dilemma was that if he didn't write, then SEED would never terminate.
- Part of the issue is that instead of creating a story, he was merely replacing what the characters were thinking with a scenario. Fifty-fifty if the scenario was written first, the characters wouldn't be acting co-ordinate to that, so if he forced them into these roles, they wouldn't exist the characters that everyone knows. Anyone tin can write a story, merely its the characters that weave the story, so if their actions aren't well thought out, the drama won't be very interesting.
- He sorted out the overlapping parts, read everything together as a whole and so picked out the parts that could be used. Talked well-nigh how it'd be interesting to have 20 Kira clones and have them fight against i. The idea was to create a "fake Kamen Rider." If Kira, Athrun and Shinn were in that location, they'd be one hell of a force to fight, but in the end information technology was just weird to have 20 "imitation Kira," so he wondered if Kira could be cloned like Rey, and so that's when he started.
- The writers are the ones that put everything together. Fukuda just picked out the parts that worked.
- Reuniting the staff from twenty years ago shows merely how much times have inverse. They're aiming to match the connection with DESTINY. Having something that never existed suddenly announced would be strange.
- I can't tell what he'southward referring to, but he mentions couting upward all the mobile suits and there's something like 100 total. When he said he wanted them to all be CG, the staff just recoiled in fearfulness.
- Reiterates that while he has no intention of adopting the scenario to the present day, he does plan on adapting the mecha and battle direction to today'southward standards. He thinks that contempo Gundam designs are complicated and total of pointy parts and doesn't think that's Gundam at all. He think information technology'south of import to rethink the concept of Gundam. Returning to the past is good, but as well being able to differentiate itself from other shows is what makes SEED what it is.
- Talks nearly the hybrid of CG for battle scenes. Main staff is returning: Shigeta, Hirai, Okawara. Emphasises his disdain for colossal mecha. Says he wants to create a formidable enemy (suit) like how the Aegis was to the Strike. If they don't disharmonism with one another at an even level of operation, they won't be able to show their full potential. He's discussing hither how ridiculous the Destroy looked. Big and mean, just easily taken out in the end. Doesn't want that again.
- Talks well-nigh how he had difficulty depicting the enemy. Says that while unmanned AI fighters are quite possible, if the enemy were to apply them, then information technology'd just be an asymmetric battle. Says that he believes this boxing make full be a continuation of the management they've been taking so far (how SEED incorporated modern battles of the fourth dimension). Says that while taking downward an opponent is important, just tactics and methodology in doing it have changed. Says that it's not like they can defend or attack by building and deploying more and more loftier-functioning units. The era of materialistic attacks has come to pass and cyberspace has go the chief battlefield for mod warfare. He thinks it'll be interesting how they'll contain these things.
- Goes back to emphasizing how today'south society has people who are offended past certain extreme expressions and discriminatory phrases. Companies are intimidated by these voices (aka the lament). It's a hard balancing act. Wants to become where he shouldn't get to endeavor and get people to open to other ideas yet doesn't want to be forced to compromise.
- When people called into question how people had to wear helmets when riding on a wheel (in Super Cub), Fukuda said that children had to cross the road in a cantankerous walk EVEN IF THEY WERE RUNNING Abroad FROM A MECHA Attack. They had to obey traffic laws, ya know? If it was in Japan, they had to. Exterior of the country, they're fine. So weird.
- Says that he feels that dangerous ideas and organizations will grow in power during these difficult times, equally militarism and fascism emerged during economic turmoil. At that place is poison behind the pretty words, and ethics are sometimes used to hide ulterior motives. He doesn't trust anything that is decided in a confusing and undiscussed way.
- The movie will exist a decision to the series. Fukuda says that he thinks the theme song by Nishikawa is something that was already agreed on. Everyone already assumed that he'd sing it, then if he says that he's not, well and then fans would riot. Says they probably still have to offer that option to Nishikawa.
- Says he didn't know that the SEED movie was trending on Twitter.
[BACKGROUND] – Kai Shiden Report from Gundam NT
Dorsum when Gundam Narrative came out in theaters, theatergoers were able to option up a piffling "groundwork" report that was penned past Kai Shiden. The article is ane of the many "unknown" setting materials that tried to fill in and expand on the incidents that happened at the time. This, along with the Render of the Lion radio drama, paints a picture of what is going on in the political landscape of the Universal Century at the time. You tin read the commodity here.
Source: http://www.zeonic-republic.net/
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